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	<title>Confessions of a Culture Whore &#187; Best of 1989</title>
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		<title>I&#8217;d rather die than give you control</title>
		<link>http://jshopa.wordpress.com/2009/01/16/id-rather-die-than-give-you-control/</link>
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		<pubDate>Fri, 16 Jan 2009 00:36:38 +0000</pubDate>
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		<category><![CDATA[Nine Inch Nails]]></category>

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		<description><![CDATA[Nine Inch Nails: Pretty Hate Machine

Five years later, Trent Reznor would plunge steel meathooks into the great industrial beast and drag its agonized hulk into the present, with a sound of barbed wire, chain links, and corroded machinery, a skull full of disease and blood spatter. That, however, is five years later, and Pretty Hate [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=jshopa.wordpress.com&blog=3555785&post=349&subd=jshopa&ref=&feed=1" />]]></description>
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		<title>Are you sick and tired of the same old thing or are you happy enough?</title>
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		<pubDate>Tue, 22 Jul 2008 00:27:37 +0000</pubDate>
		<dc:creator>jshopa</dc:creator>
				<category><![CDATA[Music Review]]></category>
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		<category><![CDATA[Nomeansno]]></category>

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		<description><![CDATA[Nomeansno: Wrong

Nomeansno&#8217;s .44 magnum opus on zombies, religion, revelation, apocalypse, and all that shit. The lyric sheet concludes with the note &#8217;songs may be subject to change without notice&#8217; and that about says it. Take jazzy, shifting and complex time signatures and graft them to hardcore punk played with anthemic zest, then infuse it all [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=jshopa.wordpress.com&blog=3555785&post=150&subd=jshopa&ref=&feed=1" />]]></description>
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		<title>Fugazi: 13 Songs review</title>
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		<pubDate>Wed, 23 Apr 2008 23:48:37 +0000</pubDate>
		<dc:creator>jshopa</dc:creator>
				<category><![CDATA[Music Review]]></category>
		<category><![CDATA[Best of 1989]]></category>
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		<description><![CDATA[Fugazi: 13 Songs


For punk/hardcore music recorded and released in 1988-89, this sounds unbelievably fresh, even timeless. I suppose the true advantage of the underground is that your sound never gets co-opted to signify an era. These guys were ground zero for straight-edge and American hardcore, the founders of Dischord Records, not to mention maintaining as [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=jshopa.wordpress.com&blog=3555785&post=8&subd=jshopa&ref=&feed=1" />]]></description>
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